"My purpose was simple: to catch the feel, the pulse of rock, as I had lived through it. What I was after was guts, and flash, and energy, and speed" - NIK COHN - ------------------------------------------------------------------------------------------------------------------------------------------------------------------- "When the music was new and had no rules" -LUNA C
Friday, November 16, 2018
slammige cru (let us now praise Lee and Michael)
tuff tune, with delicious proto-vocal-science of that elf-girl gurgle at 0.57 seconds and passim
heard while making my way through the Leaving Earth list of rave LPs
from the good old days when "techno" didn't promise hair shirt longeurs and triple turntable tedium - when techno banged, slammed, kicked (and even shoveled, now and then!)... when a tune might actually contain, well, a tune - as opposed to just a grackling sound and a nail-gun beat
GTO - another example of the personnel and sonix flow between industrial and techno
Started as Greater Than One, than proliferated under a thousand aliases, in multiple modes of slammige - bleep, hard techno, near-trance, jungle-ish, gabba
tearin' tune - B-line like concrete liquifying (as the Man like Me said once upon a time)
another version
fame at last
Labels:
gabba,
greater than one,
gto,
HARDCORE,
john + julie,
lee newman,
MICHAEL WELLS,
RABBIT CITY,
RAVE,
rave LPs,
techno
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2 comments:
Sonic Food - People Of Rhythm
https://www.youtube.com/watch?v=NK4XOEmThYE
The Melody - I Want Your Love
https://www.youtube.com/watch?v=vcCKS0RLETk
Mangrove - Perfect Harmony
https://www.youtube.com/watch?v=_jEx7MoadEc
I think these now just get reclassified as hard house or progressive house, in the same way as any tune that features a breakbeat is now classed as jungle -unless if contains a chipmunk vocal, then it's happy hardcore - which leads people to get a bit uppity when I class early Rufige Kru tracks (Believe, Menace) as happy hardcore.
Sorry, personal bugbear there - the relabelling of old music to make it acceptable to play
"Believe" is happy hardcore, it's true.
"Menace", i dunno - it's something else
perhaps the distinction worth making is:
There's hardcore that is happy, that includes happiness as a component, alternating with ruffer or darker passages.
Then there's "happy hardcore" (more narrow, more fixated, more of a tunnel-vision direction - the tracks don't contain any dark elements, any veers off into rugged minimalism)
hardcore that is happy would include DJ Vibes "Obsession (Music's So Wonderful)" (it has some shades of 'dark' in it)
happy hardcore would be everything else Vibes did (probably - not done an exhaustive inventory!)
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