Showing posts with label ROBERT HAIGH. Show all posts
Showing posts with label ROBERT HAIGH. Show all posts

Friday, September 9, 2022

!!!!! the return of Omni Trio !!!!!

 https://omnitrio.bandcamp.com/album/above-the-treeline-rare-unearthed-and-unreleased

release rationale: 

"Omni Trio returns with never before released material - including tracks from a ‘lost’ seventh album. 

Release date: 2 September 2022. Available on Digital platforms, Bandcamp and VERY LIMITED edition CD. This material includes tracks recorded around the time of the Rogue Satellite album that were originally pencilled in as part of an EP release which never happened.

Six of the tracks are restored from stems and fragments that would have formed the basis of a seventh Omni Trio album.

A VERY LIMITED EDITION CD will be available from Over/Shadow from September. Contact: info@overshadow.co.uk

A four track VINYL sampler of the album will be available later in the year on Blueskinbadger Records called TREELINE CUTS EP.

CD also available from Blueskinbadger Records.


Also available at the bandcamp is the sixth and final Omni Trio album Rogue Satellite originally released in September 2004.


Above the Treeline was the title that the Wire gave my second Nuum essay - on Ambient Jungle, in which Omni Trio was interviewed (remotely, by the Royal Mail)

But I'm sure that's just a funny coincidence




Thursday, September 1, 2022

The Finest

Wondrous epic mix project here from Selectabwoy. Four mixes + a bonus mix makes five, corralling almost everything Moving Shadow compatriots / allies Omni Trio and Foul Play touched during their extended '90s peak. Original tracks (A-sides, B-sides, tucked-away EP gems). Remixes they did of each other's tracks. Remixes they did of other artists's tracks. Remixes others artists did of their tracks. Pearls expertly strung together, brimming shimmering raptures intensified with artful transitions and overlays.

Simply put - the Finest Music of the '90s, all there for the downloading and delectation. 

Here's the tracklist (including a few things I'd somehow never heard)


 SIDE A 

Foul Play - Open Your Mind (Foul Play Remix)

Omni Trio - Feel Good (Original In Demand Mix)

Foul Play - Dubbing You

Omni Trio - Renegade Snares (Foul Play Remix)

Foul Play - Survival

Omni Trio - Original Soundtrack

Foul Play - Murder Most Foul

Haute Control - Future Stylin'

Foul Play - Screwface

Omni Trio - Stronger

4 Horsemen Of The Apocalypse - We Are The Future

Omni Trio - Mainline

Foul Play - Feel The Vibe (Again)

Splice - Falling (In Dub)

Foul Play - Finest Illusion (Illegal Mix)

Omni Trio - Step Off (Gold Blend Mix)


SIDE B

Omni Trio - Nu Grooves '94

Foul Play - Strung Out

Omni Trio - Rollin' Heights

4 Horsemen Of The Apocalypse - Drowning In Her (Phantasy & Aphrodite Remix)

Foul Play - Total Control (Origin Unknown Remix)

Omni Trio - Renegade Snares (Foul Play VIP Remix)

Omni Trio - Thru The Vibe (Bongo Mix)

Foul Play - Ignorance

Foul Play - Chrysalis

Omni Trio - Living For The Future (FBD Project Remix)

Omni Trio - Soul Promenade

Omni Trio - Feel Good '95

Foul Play - Being With You (E-Z Rollers Remix)

Foul Play - Cuttin' Loose


SIDE C

Haute Control - Dream Series (Volume 1)

Splice - Hold Me

Foul Play - The Alchemist

4 Horsemen Of The Apocalypse - We Are The Future (Darren Jay Mix)

Omni Trio - Feel Better (Foul Play Remix)

Splice - Bus In (Strawberries)

Foul Play - Dub In U (Remix)

Foul Play - Ragatere

Foul Play - Open Your Mind (Nookie Remix)

Foul Play - Survival (Remix)

Foul Play - Ricochet (No Stopping The Remix)

Omni Trio - Future Frontier

Bug Kann & The Plastic Jam - Made In Two Minutes (Foul Play Remix)

Haute Control - Drum & Bass Collision

Omni Trio - Renegade Snares (Original Mix)


SIDE D

Nookie - The Sound Of Music (Foul Play Remix)

Omni Trio - Be There

The Terrorist - Sing Time (Foul Play Remix)

Omni Trio - Nu Grooves '94 (Deep Blue Remix)

Foul Play - Karma Pt. 2

Foul Play - Being With You (Foul Play Remix)

Foul Play - Being With You (Van Kleef Remix)

Omni Trio - Soul Freestyle

Omni Trio - Ghost Rider

E-Z Rollers - Believe (Foul Play Remix)

Omni Trio - Renegade Snares (Rob's Reconstruction Mix)

Omni Trio - Soul Of Darkness (Promenade '96 Rollout)

DJ Pulse - So Fine (Omni Trio Remix)

Foul Play - The Stepper (Remix)

Omni Trio - Torn


BONUS MIX

Foul Play - Artificial Intelligence

London Steppers - Nu Grooves

Omni Trio - London Step

Foul Play - Beats Track

DJ Pulse - Stay Calm (Foul Play Remix)

Hyper On Experience - Lord Of The Null Lines (Foul Play & Randall Remix)

Omni Trio - Shadowplay

Omni Trio - Rollin' Heights (More Strings Attached Mix)

Omni Trio - Soul Promenade (Nookie Remix)

Omni Trio - Living For The Future (FBD Project VIP Remix)

Foul Play - Being With You

Foul Play - Cuttin' Loose (Remix)

Foul Play - Re-Open Your Mind '95

4 Horsemen Of The Apocalypse - We Are The Future (Two Dreads In A Dub Mix)

4 Horsemen Of The Apocalypse - Drowning In Her (4 Horsemen Mix)

JMJ & Richie - Hall of Mirrors (Omni Trio Remix)


Sunday, April 24, 2022

going out on a Haigh





















Robert Haigh has just put out a new album on Unseen Worlds - Human Remains. Apparently it's to be his last record.  

And it's a beauty - one of the very best of his piano releases.

I'm hoping he'll have a change of heart at some point. But if not, he's going out on a high. 


Here's my profile of Rob for The Wire from a few years ago. 




Saturday, February 10, 2018

Robert Haigh explains the hardcore piano vamp

SR: In rave anthems like Landlord's “I Like It (Blow Out Dub)”or Outlander's “The Vamp” or your old pals 2 Bad Mice's beyond-classic remix of Blame's "Music Takes You" - specifically at the break at 3.52 - what is happening on the piano? The effect is very euphoric and UP!!  – is that due to the kind of intervals used (they seem very simple,  major chord-y), or just the rattling-along propulsive nature of the riffs? Sometimes I hear what sounds like a double-chording, like the same chord being played very quickly in succession.  The timbre is also part of the bright optimistic feeling. They also have something of the quality of the player piano about  them. 

Robert Haigh:  In each case here the piano is a sample of a chord. That sample/chord is then laid out across the keyboard and triggered (simply with one finger) at various positions (so it’s always the same chord but played at various pitches.) 


On Landlord, we have a sample of a minor chord which is triggered at four points giving us the effect of G+m - D+m - F+m then C+minor.


With "Vamp", which sounds like the very same sample (maybe eq’d a little differently), the sample is triggered at five points giving the effect of C+m - D+m - Em - F+m then G+minor. 

The sound (which I agree is wonderful) appears to be doubled up and highly compressed and clipped - I suspect all this was in the original sampled chord (probably from a Deep House or Techno track - it’s got a bit of a Kevin Saunderson feel.)


Same deal with 2 Bad Mice. This sounds like a maj 7 chord and again the sample been laid across the keyboard and triggered at various pitches. 

Maybe it’s the artificially quantised nature of the notes/chords which give it the player piano quality. 


^^^^^^^^^^^^

Sadmanbarty from Dissensus offers a further thought:

"there are only 3 minor chords in any key, so the fact that these vamps have 4 or 5 minor chords means that they’re modulating (changing key). 

In pop, modulations tend to be used in choruses or at the end of the song to reach a climax. They’re euphoric and up lifting.


The fact that in hardcore these modulations are constantly happening lends itself to your idea of hardcore as a non-narrative, endless succession of NOWs. It contrasts with the way pop uses them sparingly to delineate structure."