just 4 u london

that tune and the two videos got me thinking about the tradition within the nuum of songs about London or repping for specific bits of London - here's a backwards lineage  (suggestions of flagrant omissions please) where it's either in the title, the main vocal lick, or in the lyrics



(late addition via Sadmanbarty)



(ditto)



(ditto)



















"Love for the London Streets" is the title and vocal lick of this 2 Wisemen tune



(with Stamp Crew, wait for the vocal lick at 47 seconds in and repeatedly after)




intro to this ruffhouse monsta divides the city into four quadrants and hails them all











missing in this london patriotism lineage are contributions from two significant phases - I couldn't think of a deep tech or a funky anthem that references london or london massive or even a specific area of the city ... is that because both styles were already succumbing to digi-era delocalisation? Funky if it references anywhere at all it would be a vague Africa. And deep tech is the least London-y of all these sounds.

prehistory to the nuum's London-love








postscript: a suggestion of the illustrious Selectabwoy



perhaps slightly outside the lineage


STOP PRESS/ LATE SUGGESTIONS AND ADDITIONS

a funky example, from man in the comments



dissensus bods suggestions (ta lads)

"End of the Road"--probing and super-in-depth piece by Martin Clark for FACT on road rap and its implications for the (uncertain-looking) future of the hardcore continuum

"Pirate radio is being replaced with a primary medium that is indistinguishable from media used by all other musical continuums, road rap is absorbing grime’s road energy into hip-hop’s traditions, house continues to satisfy ravers’ need to dance without a strong sense of local identity, breakbeat/bass science rudeness or flava. Grime and UK funky continue to iterate in interesting ways, ways that show real promise but can’t claim the seismic bursts of intense energy they once saw. Dubstep fans who reject brostep have dispersed into either purist halfstep traditionalist stasis (“the dungeon sound”), floating islands of the post-dubstep archipelago, trad European house  and techno, homogenizing crate-digging revivalism and eclecticism, US trap rap and juke. So what’s next?"