Thursday, January 18, 2024

big up the Originals raving cru


A while ago Spiro alerted me to this great mix of amapiano from a few year back, this outdoor festival in London called The Originals. He pointed out that while the music didn't have any real connection to the Nuum, the peripherals - the MC-ing - were soaked in the London vibe. And it's true - there are points where the MC chants "oi oi!" just like his ancestors would at the Labrynth in '92. 

There's one at 36 mins 55 or so, where the MC asks the crowd "who's a true raver?" and then leads a call-and-response of "oggy oggy oggy, oi oi oi".

Listening again, I noticed another nuumological flicker - it occurs at 31.15 or thereabouts, the MC goes into this chant that sounds like "E come E come alive E come alive" (it might actually be "you come alive you come alive you come alive")

"E come E come alive E come alive" is a nigh-on thirty-year-old catchphrase from this Xenophobia tune "Rushing The House" that was big in '92. I associate it with Spiral Tribe, on account of the Spiral-connected MC Scallywag being on the record. But it was produced by Grant Nelson aka Wishdokta aka the G in N'n'G aka Bump & Flex aka dozens of aliases up and down the length of the nuum from ardkore to 2step.



It recurs again in the Supa D amapiano mix at about 37.15 reworded as "you come alive, I come alive, you come alive, I come alive". Just before, the MC talks about how he feeds off  the buzz from the audience and then gives it back to them. The chant "you come alive, I come alive, you come alive, I come alive" crystalizes the feedback-loop between crowd and MC+DJ beautifully.

It's noticeable also that most of the MC-ing is Jamaican flavored in slang and accent - "big up", "pon" etc. And in this next Originals set, lots of "my selector" "wanna reload?", etc 

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Also at 37.57 or so, there's a shout-out to the four quadrants of the city - "North London, South London, West London, East London", flashing back to the opening interpellation in Gant's "Soundbwoy Burial (187 Lockdown Dancehall Mix)"



Echoes of jungle and UKG, in 2023-  a quarter-century later. And the whole thing representing yet another of those only-in-London recombinations of the Caribbean, the Black American, and now the African. 



Looking up the Originals festival online, I see the slogan: It's A London Thing.





3 comments:

Spiro said...

Cheers for the shout! I've been listening to that Supa D & co amapiano set quite a bit since, and it's actually grown on me a lot - I've come to really appreciate the low key sustained pressure (and obvs the nuumtastic MCing helps a lot too!)

But speaking of "only-in-London recombinations"... I wonder if South African-originating amapiano will develop its own distinctly UK mutant? It happened with house to ardkore, us garage to speed garage, 'funky' house to, erm, uk funky, deep house to deep tech, Chicago drill to uk drill, it seems inevitable that any music that gains widespread popularity in the uk (or at least in London) sure enough gets mutated into a UK specific style, often making it harder, hype-er, more weird and boundary-pushing.

The nuum spirit clearly lives on through the MCing, it would be exciting if that same energy started to express itself in the music too. I guess only time will tell...

Anonymous said...

Scratcha dva has been developing a uk numm mutant style with a few other producers for a while

SIMON REYNOLDS said...

Oh right, can you recommend any tracks?