Sunday, December 14, 2025

the 21st Century so far

Talking about favorite records of the 21st Century so far...

I contributed, just barely, to Resident Advisor's Best of 2000-2025 epic with a mini-review of The Caretaker's Everywhere at the end of time.

Kieran actually contributed more blurbs, in both the albums and the tracks categories, including one for Joy Orbison's "Humph Mango" (RA taking the mickey a bit?)

So despite the enormity I thought I would give the entire list a listen, in both categories. (There's also a list of mixes). 

I got about a third of the way into the albums, skipping the ones I already knew. But then - as always seems to happen with such undertakings (e.g. the enormous playlists of an artist's entire discography that you might pull together yourself, or of a genre)...  inevitably the will to carry on crumbles away. It's just too daunting. It comes to feel like work. As a way of discovering things, it's not the way that the music you end up loving generally tumbles into your life. Especially not with dance music, which is most meaningfully encountered in a club and in the thick of a crowd. 

But I did hear some things I'd never heard that I really liked, along with quite a lot of things that were excellent but ultimately sounded like superior-sound-design updates of  sono-rhythmic ideas that existed in rawer form in the 1990s.  

As always happens with these canon-making pushes by publications, I was surprised by how few of the artists or works that I love figure in these lists. (And quite often when an artist I like did get mentioned, the track honored wasn't what I would have selected). 

But you know what - people are different!  

So much music - electronic, dance, everything else - came out in the 21st Century that entirely different cartographies and canons can be constructed that barely overlap with your own trajectory as a listener or personal pantheon. 

One new-to-me tune in the RA list that I really liked



Now if you know anything about where I'm coming from, in terms of what I like in dance music, it makes perfect sense that this is a tune that would appeal.   It's fresh and exciting but audibly in the tradition of "Party People". 

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I'm not sure how much this RA list is ultimately based on the votes of the contributors and how much determined by decree from above, but they did ask me for a list of nominations, albeit only in the overlapping categories of hauntology / ambient / conceptronica. This is what I suggested, which is unranked: 


ALBUMS


Boards of Canada – Geogaddi

The Focus Group – Hey Let Loose Your Love

Oneohtrix Point Never – Rifts

Belbury Poly – The Willows

The Advisory Circle – Other Channels

Mordant Music – Dead Air

Moon Wiring Club – An Audience of Art Deco Eyes

Rashad Becker – Traditional Music of Notional Species Vol 1

The Caretaker – Everywhere at the end of time

Debit – The Long Count


Runners up (unasked for, I couldn't resist supplying)

Lo Five – Geography of the Abyss

Dolphins into the Future – On Seafaring Isolation

Lee Gamble – Diversions -  1994-96

eMMplekz – Rook to TN34

Roj – The Transactional Darma of Roj

Hybrid Palms – Pacific Image

ML Buch – Suntub

Second Woman - S/W

Huerco S – For Those of You Who Have Never

Burial – debut album

patten – Mirage FM


TRACKS

Mark Van Hoen – Holy Me

eMMplekz – Gloomy Leper Techno

The Focus Group – Modern Harp

Oneohtrix Point Never – Physical Memory

The Advisory Circle – Sundial

Holly Herndon – Fear, Uncertainty, Doubt

James Blake – If The Car Beside You Moves Ahead

Burial – South London Boroughs

Belbury Poly – Caermaen

People Like Us – World of Wonder (Why We’re Here)

Moon Wiring Club – Mademoiselle Marionette

 

MIX

bit stumped here, I don't tend to remembrance mixes like other folks do, but then I thought, "oh yes, there's - 

The Arkiteket - The Deep Ark

And then when I saw their list, I slapped my forehead with a 'gah' and realized I really should have - and really would have - included this mix: 

Fairlights, Mallets and Bamboo (Japan, 1980-86) - by Spencer Doran

And the follow up Vol 2 was great too. 

It's especially amnesiac of me given that in this big piece on Ambient / New Age as a phenom of the 2010s written for Resident Advisor, these mixes feature prominently (along with the Japanese interior music / 4th world compilation Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 plus quotes from Doran in his Visible Cloaks guise). 


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Maybe, maybe,  I'll go back and finish that 2000-2025 albums list... do it in stages... then do the tracks... and maybe even the mixes. 

I already tried and enjoyed this mix which sounded intriguing from the write-up and Nono Gigsta's side reflections

https://soundcloud.com/gigstab/freerotation-2024-the-house-of-crocodiles-part-2-live-recording

Amid the near-infinity of sources out of which it is woven, this new-to-me tune jumped out particularly


Which itself contains a sample of - or perhaps more accurately, is a re-edit of? - something I dimly recognise (from some track on Reinforced?) but the source song "Misdemeanor") is new-to-me and quite delicious, sort of avant-ized Jackson 5


Less delicious is learning about the actual misdemeanor the artist would much later commit.... Wiki Fear strikes again, or at least, it didn't, otherwise I wouldn't have read the offending entry 

1 comment:

Anonymous said...

M-Beat Style...samples Foster Sylvers