Thursday, February 21, 2013





it's not Julie Christie's version of "Bushes and Briars" (actually voiced by Isla Cameron, song advisor on Far From Madding Crowd) that DJ Seduction and Bumble sampled (Bumble first, then sampled by Seduction, presumably?)....  So whose version was it? Nobody seems to know...

info about the song scooped off the net:

The song "Bushes and Briers" was 'collected' by Ralph Vaughan Williams at Ingrave, Essex, on 4th December, 1903, from the singing of Mr Charles Pottipher, a seventy-year-old labourer.

"Vaughan Williams had been specifically invited by the local Vicar's daughters to attend an old people's tea-party their father was giving, so that he could meet some real traditional singers. In fact, he only noted the first verse of Bushes and Briars from Mr. Pottipher, being then new to song-collecting, and later got the rest of the words from a broadside published by Fortey of Seven Dials." (from the Mudcat thread, below)

The Essex version is perhaps the best known because of its inclusion in the film of Thomas Hardy's "Far From the Madding Crowd".


LYRICS:
Through Bushes and through briars
I lately took my way
All for to hear the small birds sing
And the lambs to skip and play

I overheard my own true love
Her voice it was so clear
"Long time I have been waiting for
The coming of my dear

Sometimes I am uneasy
And troubled in my mind
Sometimes I think I'll go to my love
And tell to him my mind

But if I should go to my love
My love he would say nay!
If I show to him my boldness
He'll ne'er love me again."

The words are different in the version used by Bumble and Seduction:
"sport and play" rather than "skip and play"
 
 
 
never knew this existed 

Wednesday, February 20, 2013








Matthew Ingram's excellent write-up of the new Autechre lp (as much a career to date overview as a review of exai) in the latest issue of The Wire made me want to reconsider their oeuvre....  which I'd always distantly respected but never really loved ...  indeed most of the CDs I'd got rid of a few years ago in a fit of hardhearted purging... 

Thought I'd start at the beginning and go all the way through...

I never fully registered before that Autechre started out as near-enough hardcore with "Cavity Job"  -  nail-gun breaks and acideous gabble and sample-smear riffs, not a million miles from DJ Trax and Rabbit City and Edge#1 'Cmpnd' (very Autechre-ish title now i think of it). Makes perfect sense, though, seeing as Booth & Brown were electro kids into graffiti, just like your Danny Breaks and  Liam Howletts and Hypes and so forth.

The Legofeet stuff (which I guess is strictly speaking before the beginning) is protean and protozoan -- sketches and doodles that are fractured intimations and hinting glimpses-forward to jungle, IDM, and the avant-beatizm of such as Req  (Skint's purveyor of deconstructed hip hop) 

Now onto the albums proper...



Req = very Autechre-like in its conversion of B-boyism ("wreck") into something ciphered and abstracted and also graphically pleasing... 




Sunday, February 17, 2013












don't do that 

DANGEROUS