NEWS AND MATERIAL RELATED TO THE EXPANDED/UPDATED EDITION OF ENERGY FLASH: A JOURNEY THROUGH RAVE MUSIC AND DANCE CULTURE, DUE OUT EARLY 2008 IN SYNC WITH THE 20TH ANNIVERSARY OF ACID HOUSE/10TH ANNIVERSARY OF THE BOOK'S PUBLICATION. SERVING ALSO AS AN ARCHIVE OF DANCE WRITING BY SIMON REYNOLDS.
Monday, March 12, 2012
there should be a name for this sound/style... rigid, swing-less beats that take mechanistic repetition just a little too far
"birthday cake" is co-produced by Da Internz and The Dream
"stupid hoe" is produced by Diamond Kuts
so it's not a signature sound, it's something in the air, something sceniotic... an emerging beatgeist
and for all the here-and-there echoes of bleep&bass or belgian hoover, or even B-boys on E circa 2001-2 ("snoopy trak", "what's yr fantasy") it's a new beatgeist
produced by StreetRunner and Sarom that one and it has me flashing a bit on i dunno Noom records... darktrance...
but back to the first two cuts -- here's something else by Diamond Cuts and is basically gabber, complete with an African-American version of jumpstyle
and Da Internz is responsible for that equally mechanistic dark-stark tune "Dance (A$$)" by Big Sean, the one i thought sounded like slowed-down footwork
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The Danger Of Being Retro: Revivalism In Dance Music - feature at Attack
Magazine
mini-extract from new section of *Energy Flash* on the rise of retro-danc...
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*JOHNNY ROTTEN IN JAMAICA, 1978 - INTERVIEW WITH DENNIS MORRIS*
*Another Man magazine, 2012*
*by Simon Reynolds *
“I was at the forefront of a new black B...
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amaaaaaaaazing song, love the guitar solo / moog (i think it's moog) solo
outro
Gene Clark here, basically the male Stevie Nicks, am I right? (Check the ...
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I've now added a bunch of bonus material to the footnotes -- FAQ, unFAQ,
RetroQuotes, articles pegged to or related to the book, interviews with the
author...
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*FOOTNOTES #5*
**
*CHAPTER 4
CONTORT YOURSELF: No Wave New York
*
*[chapter 9 in the US edition]*
**
*Page 50*
>A British invention
The Sex Pistols’s...
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*BIBLIOGRAPHY TO ENERGY FLASH a.k.a. GENERATION ECSTASY*
*For space reasons the bibliography has been left out of the
updated/expanded 2008 edition of Ener...
WIN: Tickets To Damo Suzuki, TOY & More
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Win a pair of tickets to the Social show next week featuring Suzuki, TOY,
Listing Ships and a DJ set from Andrew Weatherall
Pure Science – Give a Little Darkness
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Here’s a moody jungle number from 94. The artist behind this (Helen T /
Pure Science) collaborated with DJ Nut Nut on a couple nice singles which
are simil...
Hello Friends
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Hello friends.
I had a good time in Montreal. Sort of. Dreams are freedom, dreams are oppression.
What I mean is that, ok, I have always been haunted b...
P036: Cabeza de Vaca – Cosmin TRG special
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It has been a question speculated on this blog a long time ago in the past why
some producers have made such definitive shifts from dubstep to techno
and...
SPRING AWAKENING AFTER PARTY – CHICAGO
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Saturday June 15th 2013 React, SMOG, & Primary Present BASS KITCHEN Spring
Awakening Music Festival After Party :: 12th PLANET :: + Special Guests!
Primary...
On Random Access Memories | Tristan Rodman
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Daft Punk’s *Random Access Memories *has as strong a thesis statement as
any album in recent memory: “Give Life Back to Music.” The opening chords
give w...
MUTANT DANCE
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A HTV Documentary that aired on 02/06/1997 documenting the UK based Mutant
Dance Party Collective and Bristol Free Party Crew gearing up for a free
party t...
Republic 111 @ live.code.festival Karlsruhe
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Codelets that create sound patterns are being rewritten while running,
sounds can be spatialised by distributing them across the unamplified
laptops in...
We Need to Talk About Essex
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Sorry it's been so long. I've been busy travelling to and fro from city to
sea, back to Essex, to my hometown of Southend-on-Sea, or London's
sphincter a...
TKO London Page Added
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Today we have added the TKO London page to the site. Here you'll find some
information about the station and also some audio up for grabs.
EP MANIA
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Perhaps the main problem for poststep, the main reason it isn't recognised
as the uncontrolled eruption of revolutionary musical modernism that it is,
is ...
2012 in Music
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*2K12 IN MUSIC*
Yo, this blog post will be in two sections, Part I dealing with my own
personal year-in-music, and the second a more critical look at some ...
Reactivating
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Current status: Three older posts that were on a different hosting service
remain active, and we’re now re-uploading many more, as fast as we can. New
post...
Babylon Reggae mix by me
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Babylon Reggae Mix by Marc Dauncey on Mixcloud Here’s a new mix I did – a
selection of Jamaican roots reggae juxtaposed against UK fast chat, dub and
mor...
Freeparty Photobooks
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NO SYSTEM Vinca Petersen (Steidl)
Vinca travelled around with various teknotypes in the mid-1990s. A lot of
these snaps feel like holiday fotos and she...
so long, and thanks for all the ssgs
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MNML SSGS began on 11 December 2007. While we definitely had plans when we
commenced the blog, we certainly had no expectation that it would ever
dev...
Decadence and Dying Earth, Part 1.5
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I'm reading Clark Ashton Smith for the first time, and I'm doing so with no
knowledge of the writer's personal life or work outside of *Zothique *and
the t...
Hans Ulrich Obrist Interview with David Deutsch
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*HUO: Your book, The Fabric of Reality [1997], had a real influence on the
art and architecture fields. Philippe Parreno wants to ask you this
question: ...
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