The True Oasis (Hertscore Continuum)

Unfortunately they are the Shed Seven of ambient jungle, but below is something of a classic

Oaysis - from St Albans!

Part of the Hertscore Continuum!

Outposts in Stevenage, Hertford itself, Hitchin ... 

Labels like Moving Shadow, Candidate and PM Records....  

Photek, Source Direct... 

Omni Trio obviously

2 Bad Mice / Kaotic Chemistry....

Gappa G and Hypa Hypa, from Luton

Who played on a pirate called Perception FM, out of Luton / Hitchin area

As did DJ Concrete 

And to my surprise there were other pirate radio stations in Hertfordshire

Via RollDaBeats forum, ancient post

Mad FM

freq: 90.6

area: Hertfordshire

broadcast out of Hertford town centre

known years running: 1990/1-1993

basic style genre: Oldskool

known dj's: 2 Stoned crew (2 bad mice in disguise), dj lucky, dj active, dj duffy

 

Frequency FM

freq: 101.4fm

area: Hertfordshire

known years running: 1991-1993

basic style genre: Oldskool

known dj's: DJ Legacy (myself), DJ Twist, DJ Nitemare, DJ Donny P, DJ Shiva

Got bust when the aerial got blown down in high winds.

(and this one, shrouded a bit in non-knowledge)

Unknown FM

freq: 108.0 fm

area: Hertfordshire (not 100% though)

known years running : no idea

basic style genre: no idea

known dj's: no idea

And what do you know, just this morning Droid alerts me to this release by Justice and Metro, a mini-LP  titled PRESSURE 101.5 FM-Luton Pirate Memories. 

It's actually from a few years ago and is woven out of old pirate adverts and jingles - info about long-lost record shops and club nights in the Luton and Dunstable area.

"J and M takes us on a journey back to the 90's and compile Pirate radio adverts from their local station Pressure FM. The flip is a track inspired by the sounds being broadcast around the rave era."

Hark at the well spoken voices in the adverts...  big up the bourgeoisie! big shout going out to the  middle class massive!

"Right of admission is reserved - and this is a drug-free zone" - yeah pull the other one, luv!

1. Pressure EZ 03:41

2. 101.5 Skit 01:04

3. Last track from me..... 00:32

4. Soul Sense 00:26

5. Mad Dog Birthday Rave 00:49

6. Soundz Wicked 00:37

7. Gatsby's Hair Dressing 00:32

8. Pressure Zone 00:43

9. Ozone 2 01:15

10. 33 studio 00:38

https://modernurbanjazz.bandcamp.com/album/pressure-1015-fm-luton-pirate-memories

Got No Room for Ravers

Samples Small Faces's "Lazy Sunday"! 

The bit about his grumpy next-doors objecting to the noise of loud fun - "wouldn't it be nice to get on wiv' me neighbours? / but they make it very clear they've got no room for ravers"

Features the phrase "mustn't grumble" - the soul of Englishness (pre-ravers, at any rate) quintessenced

There is also a blink-and-you'll-miss-it  comb-and-paper quotation of a Stones song - "Satisfaction" it says at Wikipedia, although it sounds almost more like "Let's Spend the Night Together" to me

I should have put "Lazy Sunday" in my list of Greatest Number Twos 

The album as a whole I've never quite clicked with except for the opening title track with its amazing colorized bass and phased drums and keyboards.

And of course enjoy the Stanley Unwin element

Got this album 

"Lazy Sunday" is very much rooted in the same oh-so-English world as Carry On

A-wouldn't it be nice to get on with me neighbors?

But they make it very clear they've got no room for ravers

They stop me from groovin', they bang on me wall (what's going on in there?)

They doing me crust in, it's no good at all, ah

Lazy Sunday afternoon

I've got no mind to worry

I close my eyes and drift away

Here we all are sittin' in a rainbow

Gorblimey, hello, Mrs. Jones

How's old Bert's lumbago? ("He mustn't grumble")

I'll sing you a song with no words and no tune

(Tweedle-dee bite) to sing in the khazi while you suss out the moon, oh yeah

Lazy Sunday afternoon, ah

I've got no mind to worry, ah

Close my eyes and drift away, ah

A-roo-dee-doo-dee-doo

A-roo-dee-doo-dee-die-day

A-roo-dee-doo-dee-dum

A-roo-dee-doo-dee-doo-dee

There's no one to hear me

There's nothing to say

And no one can stop me from feeling this way, yeah

Lazy Sunday afternoon

I've got no mind to worry

Close my eyes and drift away

Lazy Sunday afternoon

I've got no mind to worry

Close my eyes and drift

Close my mind and drift away

Close my eyes and drift away

 You could probably essay an, er, essay that claimed for Ogden's Nut Gone Flake what Greil M claims for The Band, i.e. the ravers (Sixties version of) generation mending the breach with the parent generation....

Which (despite "She's Leaving Home") already started happening on Sgt. Pepper's, to some extent. "Penny Lane", certainly.

Or perhaps simply that for all the trips and the dabbles with Eastern spirituality and all the other Sixties neophiliac adventures breaking loose from tradition.... you still wake up in England, embedded in centuries of history... 

Tale "Itchycoo Park" 

Spiritually hungering Ronnie Lane got into Sufism by 1968, but he lifted the melody or part of it from a 16th Century hymn, "God Be In My Head"   while "the theme to the words" came from "a hotel in Bath or Bristol. There was a magazine in the room with a rambling account of some place in the country and it was about ‘dreaming spires’ and a ‘bridge of sighs’ – there was a write-up on this town – and I just thought they were nice lines.”

Steve Marriott meanwhile said lyrical inspirations come from stinging nettles and an actual park in Ilford:

"Ronnie Lane and I used to go to a park called Itchycoo Park... We used to bunk off school and groove there. We got high, but we didn’t smoke. We just got high from not going to school. Itchycoo Park is the nickname of Little Ilford Park in London. An “Itchycoo” is slang for a flower found in the park called a Stinging Nettle, which can burn the skin if touched.”

"Life is just a bowl of All Bran"

Talk about Englishness - Marriott as the Artful Dodger for the album-of-the-original-stage-musical Oliver! He was in the original stage production playing various boys roles.

Oliver! creator Lionel Bart appears in this delightful Georgia Brown (Nancy in the original stage version  - did she share scenes with Marriott?) conceived and presented investigation of the Jewish East End and the question of what makes you a Cockney

I was just thinking that Georgia looks the spitting image of Marc Bolan, another famous Jewish East London singer, and then at 19.28 she says "that's a gas" 

Another amazing time travel capsule, a BBC report on Cockney idiom from 1976

"The First Worldwide Big Beat Newspaper"

 No, not a shortlived end o' 90s publication devoted to all things Skinty and Wall of Soundy...  at home with Monkey Mafia profiles... Portrait of the Propellerheads as Consumers.... an advice column from Lindy of Hardknox

No, we are talking much, much earlier than that... 

Based out of San Francisco 

World Countdown was the creation of a fellow called Charles Royal  - and his brother Mark.

"Big Beat" being a phrase, a concept, a vibe, that harked back to the 1960s 

As was the term "beat group", meaning an imposing drum beat rather than "beat" as in poet or beatnik.

The magazine dropped the "big beat" bit from its frontal boasts, perhaps reflecting the shift from beat-y energy to a more "heads" oriented sound, especially in San Francisco, which I would never have thought of as a hotspot for big beats in the Dave Clark Five sense. 

It ran for 29 issues and at the end was simply billing itself as This Earth's Leading Music Newspaper.

Before that it claimed, absurdly, to be the World's First Music Newspaper

It was only 40 years behind Melody Maker, which I doubt was the first weekly periodical about music anyway. 

"The Voice of Music" my English arse

Yes, there was a certain grandiosity to the World Countdown operation, as with the incorporation of the surname Royal in the title  on the front cover - Royal's World Countdown. 

If your surname is Royal, does that mean you end up with a "King of All I Survey" complex?

Also - what is with this repeated sales pitch of it being a "souvenir" issue? 

Or "collectors edition"

"You will cherish our magazine forever!"

Now I have been obsessively following music for decades, with a particular interest in the history of music magazines, the underground press, and especially the early days of rock criticism - and I'd never heard of this publication until a few days ago. 

It's been pulled together as a compendium. 

Back to the other Big Beat... I am surprised in that late '90s Boom for Dance, when publications were springing up all over the shop, there wasn't a Big Beat dedicated magazine. Perhaps there didn't need to be since it was well covered in the big three dance monthlies, Mixmag, Muzik and DJ. 

I seem to remember that at the absolute peak glut of dance and dance mags, someone tried to launch a dance-dedicated weekly music paper. But then the bubble burst... 

Special Request (Labello pt 2 - the samplige)

Ooh Macka Brown sampling the Pirates Anthem

4 Meg Soundboy with some nifty usage of "Can't turn me away" by Sylvia Striplin

Then there's Smokey Joe with a famous vocal lick

The "Special Request" vocal licks are sampled from Shut Up and Dance's "Rest In Peace" - but where did they get them from? 

Another iteration of that vocals lick - as well as another, different "special request" -  in this Reinforced tune 

Those reggae vocal licks from Smokey Joe's "Special Request" et al recur -  alongside JVC Force "Strong Island" riffs - in DJ Double G's UKG classic "Special Request" 

Ah (bit nuum nummy this) DJ Double G turns out to be DJ Gunshot as in No U Turn, making the same shift as No U Turn becoming Turn U On, but not sticking with the label

Real name Gordon Gummer, a veteran deejay on Don FM and Flex FM

a different "special request" occurs in this track - and the "special" recurs passim

A title-becomes-artist-name homage 

More Smokey Joe