Top 5 definitely
Underrated outfit, Blame , although in a sense his greatest work was remixed by others - as though his role was to set others up to excel
But this next one was all their own work (by this point it was Blame & Justice) - one of the most glassily brilliant and unusual-sounding of the whole first-wave of ambient jungle / int*****nt drum & bass
flipside also good - vaguely reminding me of Grace Jones circa Living My Life
Strangely when I reviewed it in Melody Maker, I focused more on "Essence" than the far more unorthodox and hypnotic "Anthemia"
This earlier (93 as opposed to 94) Blame 12 inch hasn't quite made the transition into "musicality" that it aspires to, and that "Anthemia" pulls off so successfully (yet without losing any of the minimalism or wrongness-as-rightness of jungle)
"A21" was always one of the tracks I skipped on The Joint
Flipside "Sikological Hostage" reminds me a bit of the 2 Bad Mice Underworld EP - impressively dense , pushing the darkcore envelope - but not much fun really
Can't seem to find the original of "Nightvision", this is the remix by D'Cruze (another under-rated, just-below-first-division jungle/D&B producer)
Here's what I wrote in The Wire about "Nightvision' and the later "Sub Committee" (see below)
Texturally closer to the fuzak-squad, Blame & Justice are also doing astonishing rhythmic stuff underneath all the Joe Zawinul-esque synth-foliage. On "Nightvision", and on Blame solo tracks like "Sub Committee", there's an effect like a sampladelic equivalent of the way a drummer will let the stick vibrate on the skin, rather than make a crisp hit - a sound like a spinning coin that's starting to decelerate. "Nightvision" is so reverb-riddled and elasticated, so nuanced with percussive accents and hyper-syncopations, it's virtually a drum solo, albeit constructed painstakingly over days as opposed to happening in real-time.
Here's what I wrote in Melody Maker about the remixes EP
And the flipside
Completely forgot about this EP, which is reminiscent of EZ Rollers
Oh, turns out I reviewed it in my D&B column in Melody Maker:
Soon enough I stopped paying attention.... just the titles, "Heritage" and "Retrospect" give the game away
So it makes sense that Blame would get sucked into the Good Looking / Looking Good aquajungle miasma
Mind you this one (back on Shadow) is edging into nu-dark, technical-but-sinister
And then scores more, Conrad Shafie never stopped making drum and bass, indeed a few years ago finally put out his debut album. would you believe....
Blame - just another genius, just another hero