Sunday, June 8, 2014

dancecult - new issue

behold the new edition of Dancecult, focusing on the studio and production technology involved in electronic dance music

Table of Contents for Dancecult: Journal of Electronic Dance Music Culture Vol 6, No 1 - 2014

Production Technologies and Studio Practice in Electronic Dance Music Culture Guest Editors’ Introduction (1-7)
                Ed Montano,      Simon Zagorski-Thomas

Feature Articles
Gateway of Sound: Reassessing the Role of Audio Mastering in the Art of Record Production (8-25)
                Carlo Nardi
Old Instruments, New Agendas:  The Chemical Brothers and the ARP 2600
                Hans T. Zeiner-Henriksen
The Creative Studio Practice of Contemporary Dance Music Sampling Composers
                Justin Morey,    Phillip McIntyre
“Waiting for the Bass to Drop”: Correlations between Intense Emotional Experiences and Production Techniques in Build-up and Drop Sections of Electronic Dance Music. (61-82)
                Ragnhild Torvanger Solberg
Fruity Batidas: The Technologies and Aesthetics of Kuduro. (83-96)
                Garth Sheridan
A Proposed Typology of Sampled Material Within Electronic Dance Music
                Robert Ratcliffe

From the Floor
The Concrete and the Ephemeral of Electronic Music Production
                Colin P. McGuire
From Grapefruit to Plastic Surgery: Experiments in Contemporary Musique Concrète
                Brian Daniel Speise
Along the Lines of the Roland TB-303: Three Perversions of Acid Techno
                Botond Vitos
Laevorotation at Boom 2012
                Reba T. Manuel

DJ Culture in the Mix: Power, Technology, and Social Change in Electronic Dance Music (eds. Bernardo Alexander Attias, Anna Gavanas and Hillegonda C.
Rietveld) (123-126)
                Carlo Nardi
Beyond the Dance Floor: Female DJs, Technology and Electronic Dance Music Culture (Rebekah Farrugia) (127-130)
                Hillegonda C Rietveld
Popular Music in Evangelical Youth Culture (Stella Sai-Chun Lau) (130-132)
                Mark Evans
Hip-Hop Turntablism, Creativity and Collaboration (Sophy Smith) (133-134)
                Mark Katz
Pop-Rock Music: Aesthetic Cosmopolitanism in Late Modernity (Motti Regev)
                Catherine Strong

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