via Bits, Nibbles & Bytes blog, a post by a dude  (Stephen Stamper) on his Unit 3: Sound Arts Project

"The roots of this project go back two years to my time on the London College of Communication’s ABC Diploma in Sound Design and Music Technology. One of my many ideas for the ABC Diploma’s final project was that of a paper instrument. During research into this idea I discovered that it was possible to use the sharp corner of a piece of paper as a crude form of combined stylus and loudspeaker: amplifying the sounds pressed into the grooves of a vinyl record.... ",,,  This led me to thinking about my formative electronic music influences, the power of the written word in the weekly music press back in the early 1990s.... I remembered a small review dating from August 1993 in the Melody Maker’s Singles column by the writer Simon Reynolds that 20 years down the line still resonates with me. His description of the Metalheads 12-inch vinyl single Angel – an ‘ardkore jungle record not easy to obtain in St. Albans: the city in Hertfordshire where I was living at the time – so fired my young imagination that I felt compelled to try and recreate this unheard record on my lowly Commodore Amiga home computer. Needless to say I failed, but if it was not for the fire that Reynolds’ small spark of a review lit within me, I very much doubt that I would be where I am today. I decided there and then in that lecture that I would take these thoughts and ideas and combine them with the concept of the paper stylus and loudspeaker.

"With this piece I wanted to expand on [David] Toop’s idea and somehow convey the power of this ‘imaginative dimension disclosed by words’ (Toop to Cascella, 2010). By holding the review in one’s hands and plunging the sharp corner into the record’s grooves, I wanted to give some impression of how I heard and, through the vibrations of the paper loudspeaker, felt the ghost of the music within Reynolds’ words."

wow, that's cool

here' s the seed-review in question