from grime to gloss

textbook case of digi-maximal syndrome -   sounds shinier and bigger, but structural features of the music are same as a decade ago

vaguely heartening in a way that fake-strings refrains are still such a big thing in grimestrumentalism

the Troll version is good though   - nice roiling sewer of brosteppy splatterbass, in a Raffertie-esque faecal-fiesta sort of way

overall sound quality is so darn slick and sheeny though