Table of Contents for Dancecult: Journal of Electronic Dance Music Culture Vol 6, No 1 - 2014
Editorial
--------
Production Technologies and Studio Practice in Electronic
Dance Music Culture Guest Editors’ Introduction (1-7)
Ed
Montano, Simon Zagorski-Thomas
Feature Articles
--------
Gateway of Sound: Reassessing the Role of Audio Mastering
in the Art of Record Production (8-25)
Carlo
Nardi
Old Instruments, New Agendas: The Chemical Brothers and the ARP 2600
(26-40)
Hans
T. Zeiner-Henriksen
The Creative Studio Practice of Contemporary Dance Music
Sampling Composers
(41-60)
Justin
Morey, Phillip McIntyre
“Waiting for the Bass to Drop”: Correlations between
Intense Emotional Experiences and Production Techniques in Build-up and Drop
Sections of Electronic Dance Music. (61-82)
Ragnhild
Torvanger Solberg
Fruity Batidas: The Technologies and Aesthetics of
Kuduro. (83-96)
Garth
Sheridan
A Proposed Typology of Sampled Material Within Electronic
Dance Music
(97-122)
Robert
Ratcliffe
From the Floor
--------
The Concrete and the Ephemeral of Electronic Music
Production
Colin
P. McGuire
From Grapefruit to Plastic Surgery: Experiments in
Contemporary Musique Concrète
Brian
Daniel Speise
Along the Lines of the Roland TB-303: Three Perversions
of Acid Techno
Botond
Vitos
Laevorotation at Boom 2012
Reba
T. Manuel
Reviews
--------
DJ Culture in the Mix: Power, Technology, and Social
Change in Electronic Dance Music (eds. Bernardo Alexander Attias, Anna Gavanas
and Hillegonda C.
Rietveld) (123-126)
Carlo
Nardi
Beyond the Dance Floor: Female DJs, Technology and
Electronic Dance Music Culture (Rebekah Farrugia) (127-130)
Hillegonda
C Rietveld
Popular Music in Evangelical Youth Culture (Stella
Sai-Chun Lau) (130-132)
Mark
Evans
Hip-Hop Turntablism, Creativity and Collaboration (Sophy
Smith) (133-134)
Mark
Katz
Pop-Rock Music: Aesthetic Cosmopolitanism in Late
Modernity (Motti Regev)
(135-137)
Catherine
Strong
No comments:
Post a Comment