"When the music was new and had no rules" -LUNA C
"My purpose was simple: to catch the feel, the pulse of rock, as I had lived through it... What I was after was guts, and flash, and energy, and speed" - NIK COHN
Tuesday, February 24, 2015
Pirates exhibition / Pirates Anthem
Shout Out! UK Pirate Radio in the 1980s
ICA touring exhibition
The Potteries Museum & Art Gallery
Bethesda Street City Centre Stoke-on-Trent
14 February - 9 May 2015
4 Midland Street Leicester
23 July – 24 August 2015
More information (or at the bottom of this post) Home T Ft Cocoa Tea And Shabba Ranks - Pirates Anthem
The rinse-out version is quite fun but then the dubstep version is painfully ponderous
Two more from Ron Tom whomever he might be
_________ info on Shout Out! exhibition
Shout Out! UK Pirate Radio in the 1980s is an archival exhibition that looks back at the early tower block pirate radio movement that emerged in the UK during the 1980s, prompting a new musical phenomenon that would change the face of British music as we know it.
Pirate radio is often associated with the off-shore broadcasting of the 1960's, but in the early 1980s it enjoyed a renaissance. This time stations were broadcasting music from the roofs of tower blocks rather than at sea, and in a further shift the movement distinctively celebrated black culture. Radio Invicta, London Weekend Radio (LWR), JFM (Jackie FM), Horizon, Dread Broadcasting Corporation (DBC) and Kiss FM, became the first UK pirate radio stations dedicated to soul, funk, jazz, reggae and hip hop. Although often overlooked, these stations were pioneers, championing music of black origin and paving the way for such burgeoning rave scenes as jungle, garage and house.
In Thatcher’s Britain these stations offered an escape for those suffering racial discrimination and economic marginalisation. They aimed to empower musical communities ignored or censored by the BBC and the licensed commercial stations.
With the advent of the Telecommunications Act 1984, many of these stations were forced to close down, prompting a new generation of ‘pirates’ to develop imaginative, alternative strategies to outwit the Radio Investigation Service. By the end of the 1980s an explosion of new pirate stations dominated the airwaves with over 600 stations nationwide, and 60 in the London area alone. The demise of pirate radio came about with the introduction of the Broadcasting Act 1990, but its legacy lives on.
This display tracks the history and cultural significance of 1980s pirate radio in the UK, its legacy and impact on contemporary music and broadcasting.