Monday, November 28, 2011

james blake on brostep

“I think the dubstep that has come over to the US, and certain producers-- who I can't even be bothered naming-- have definitely hit upon a sort of frat-boy market where there's this macho-ism being reflected http://www.blogger.com/img/blank.gifin the sounds and the way the music makes you feel. And to me, that is a million miles away from where dubstep started. It's a million miles away from the ethos of it. It's been influenced so much by electro and rave, into who can make the dirtiest, filthiest bass sound, almost like a pissing competition, and that's not really necessary. And I just think that largely that is not going to appeal to women. I find that whole side of things to be pretty frustrating, because that is a direct misrepresentation of the sound as far as I'm concerned.


brostepper bites back:

I think the sleepstep that has come over from the UK, and certain producers-- who I can't even be bothered naming because I'm over generalizing-- have definitely hit upon a sort of snoozing market where there's this urge to sleep being reflected in the sounds and the way the music makes you feel makes you drowsy. And to me, that is a million miles away from where the sound started. It's a million miles away from the slumber of it. It's been influenced so much by pillows and cushions, into who can make the softest, poofiest bass sound, almost like a resting competition, and that's not really necessary. And I just think that largely that is not going to appeal to the conscious. I find that whole side of things to be pretty relaxing, because that is a direct representation of the sound as far as I'm concerned.



versus



surely there's a Third Way?!?

2 comments:

Jah Schmidt said...

Some of the stuff recommended in that epic Leaving Earth blog post struck me as a 3rd way. Robust music with umphh and balls but still hitting the weirdness and wtf buttons - not unlike jungle circa '93-94 in that respect. Potential for excitement I reckon.

Jah Schmidt said...

Some of the stuff recommended in that epic Leaving Earth blog post struck me as a 3rd way. Robust music with umphh and balls but still hitting the weirdness and wtf buttons - not unlike jungle circa '93-94 in that respect. Potential for excitement I reckon.