“I remember telling him how I’d scope out tunes and how I’d count the bars and the maths of double drops. Basically knowing your tunes inside out. He knew it already and just took it another level. I merely showed him the blueprints.”
A regular at the AWOL night at the Paradise in Islington, the focus for the scene's innercore cabal (Goldie Grooverider Fabio Reinforced cru Kemistry & Storm et al) during that period between the closing of Rage and the start of Metalheadz at the Blue Note.
I remember Goldie regaling me with a story of a one
particular triumphant mix by Randall at AWOL that got the jungalistic equivalent of a standing ovation. Something about how he went in and out between the two tracks, back and forth, in some incredibly involuted but sustained way... the rapid switchbacks so steal-your-breath astonishing, the duration so improbably extended, the precision so needlepoint, that a clamor of awestruck disbelief erupted.... the track was duly rewound - only for Randall to repeat the feat of mixological acrobatics exactly, same jump points - this was a connoisseur performance 4 the connoisseurs, a tour de force showcase of the emerging artistry of a new kind of music
In the same interview Goldie spoke of how in response to deejays like Randall (and Grooverider at Rage) he made sure his own tracks were always "both music and mixable, with entrances and exits"
Randall appears in the "Inner City Life" video at around 1.10
Randall was the go-to mixer for Reinforced compilations, doing the fully mixed version of The Definition of Hardcore in '93 and more recently a 25th Anniversary comp
Absolutely, completely gutted at this one. He can’t have been that old…
ReplyDeleteSeeing Doc Scott and (especially) Randall play at a late 90s metalheadz party on a trip to London was when I finally “got it” - what this music was supposed to be and who it was for. And this was, in retrospect, well well off the peak years! But Randall had them eating out of his hand and he breathed a ton of life into the dubplates he brought, even if by then it was the era of “Piper” and “Wormhole.”