Here's an odd record whose existence I forgot about (or did I ever really know it - hearing it felt faintly oh so faintly familiar), a Simon Price reminder, and this was a big hit in the UK, almost Top Ten, but '87 was a year when I was out a lot, going to gigs, not watching TOTP very often so probably I missed its chart run altogether.
interestingly both Jones songwriting credits or co-credits
and songs that both in their warmth and sensuality trouble the shall we say Fisher-ian reading of GJ
then there's
but now I'm thinking about it - and for sure, foundational role / iconic status of S&R fully granted - but for some reason that '80s funki-reggae / reggaematic funk / Taxi sound doesn't do that much for me
like, I'm listening to Rhythm Killers right now and the grooves sound oddly inelastic
it feels like someone might listening to a click track
like some gating might be going on
the grooves aren't breathing
it's sort of neither one thing nor the other
yeah prefer them earlier on the whole
Black Uhuru’s Dub Factor is really great 80s LP, have to agree on the whole though earlier is better. Not forgetting their finest hour, Kunte Kinte https://youtu.be/-lly7-Ehlzk greatest dubplate of all time? Gets my vote anyway, Jim.
ReplyDeleteyeah i did like the Dub Factor when I listened to it, which was actually quite recently, oddly - earlier this year in fact
ReplyDeleteUhuru as a whole I have not found anything I like nearly as much as "Guess Who's Coming"
adding Kunte to the post, cheers