PS to preceding post
interesting to consider what makes this London-based, dub-flecked take on NYC/New Jersey house so significantly different from the take that was took a few years later by 187 Lockdown/Dreem Teem/New Horizons/Lady Penelope & Abstrac/et al
is it really all down to the difference between West London (all those Clash/Portobello references in Ballistic Bros) and East London?
between music made for big well appointed clubs and shady clubs/raves/pirate radio?
because JBO-world blends into Heavenly Social/Big Beat world, and it's a world apart from Kool and Rinse
still they could all agree, sometimes, on Norman Jay and Giles Peterson...
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