tag:blogger.com,1999:blog-2537988259790085733.post7060377095649082146..comments2024-03-29T01:47:59.171-07:00Comments on Energy Flash: when the old sounds newer than the newSIMON REYNOLDShttp://www.blogger.com/profile/01282478701882900354noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-2537988259790085733.post-70876868964530732632018-10-14T13:52:26.251-07:002018-10-14T13:52:26.251-07:00I think a big problem with a lot of the newer stuf...I think a big problem with a lot of the newer stuff (not necessarily those on the mix) is that they all use the same samples as they did in 1992. There doesn't seem to be that passion to track down and put in "new" samples. <br /><br />There's still room in the music for something to be surprising, but for a lot of the tracks you know exactly what the format is going to be, what samples are going to be used and what the sounds are going to be.<br /><br />It's recreating the sound, but not the vibe.Anonymoushttps://www.blogger.com/profile/00409117310373557835noreply@blogger.comtag:blogger.com,1999:blog-2537988259790085733.post-7543022525679960472018-09-28T16:52:35.769-07:002018-09-28T16:52:35.769-07:00that's a nice idea - rave as religion, as comf...that's a nice idea - rave as religion, as comfort food, as your home base, replenishing, giving it succour<br /><br />i do tend to think though that with the rave-remakes (as with any other retro pastiche of an earlier sound that i love - eg. garage punk) that there is some impalpable lack in the music<br /><br />impossible to put your finger on but i think - perhaps mystically - that it is some kind of aura of historicity - the imprint of the Zeitgeist or something<br /><br />something to do with the fact that these were sounds happening for the very first time<br /><br />those particular tunes i highlighted in the Pearsall mix get very very very close to the feeling that i get from an actual 92-93 tune.... almost as the makers, by a combination of extreme exactness of reproduction and some kind of willed projection of self back through time, have channeled the spirit of the lost golden age and poured it into their creationSIMON REYNOLDShttps://www.blogger.com/profile/01282478701882900354noreply@blogger.comtag:blogger.com,1999:blog-2537988259790085733.post-78846698821398805782018-09-28T09:08:50.324-07:002018-09-28T09:08:50.324-07:00From a critical viewpoint obviously there is much ...From a critical viewpoint obviously there is much less to write about with revival sounds rather than original sounds, apart from why perhaps there seems to be an ever increasing amount of hankering for that particular period. But, you say it's a weakness Simon, but surely you can forgive yourself for listening as fan of the sound rather than with your critic hat on. Certainly in my case, i find that the classic rave sound gives me a emotional sustenance and support that other music just can't provide (apart from detroit techno). It reminds me a bit of something I've noticed with family members and friends within the London community of lapsed Jews. That quite often they return to the synagogue after traumatic life events as a source of comfort and connection to something they grew up with even though they don't believe anymore. We know the rave dream is no more and even back then it was a chimera but that doesn't mean the dream or the memory of the dream, can't still inspire. Just enjoy enjoying it Simon! in atehttps://www.blogger.com/profile/11073170475603231801noreply@blogger.comtag:blogger.com,1999:blog-2537988259790085733.post-67937922838937533802018-09-27T18:00:32.575-07:002018-09-27T18:00:32.575-07:00well it's exactly what you talk about in your ...well it's exactly what you talk about in your mix-text - going back to a moment when the music was about not going back, but surging forward<br /><br />it's the same as all those post-punk revivalists in the early 2000s<br /><br />they were reactivating the sonic substance of postpunk, rather than the operating principles of postpunk<br /><br />so they would bring back the not-very-good-guitarist trying to sound like Nile Rodgers and producing something thrillingly scrapy and scratchy and angular thing<br /><br />whereas the postpunk-in-spirit thing to do would have been to respond to what grime or crunk or then-current R&B were doing and come with some hamfisted-yet-compelling twist on that<br /><br />it's like the trad jazz people in England in the early Fifties, deciding that they prefer the wild dance energy of New Orleans hot jazz of the 1920s, as opposed to the current state of jazz that its internal dialectic of evolution had produced<br /><br />you can see why they prefer it - how it functioned for them in a Fifties Britain of grey austerity and rationing and restraint, as a release (they used to have All Night Raves, the trad jazz people)<br /><br />but ultimately it's a regressive move - or at least a dead end for the music.<br /><br />but i'm only really extrapolating on what you wrote in that text and what you know at heart<br /><br />which is not say that these jungle-replicas and hardcore-reenactments are not great fun - certainly they are something that i'm too weak to resist<br /><br />but i know it's weakness<br />SIMON REYNOLDShttps://www.blogger.com/profile/01282478701882900354noreply@blogger.comtag:blogger.com,1999:blog-2537988259790085733.post-84650088128532704112018-09-26T12:48:16.268-07:002018-09-26T12:48:16.268-07:00Thanks Simon!
I was wondering if you could expand...Thanks Simon!<br /><br />I was wondering if you could expand on the 'philosophically suspect' line instead of leaving it hanging out there?Pearsallhttp://sonicrampage.org/blognoreply@blogger.com